talkin' about nu things

Experience Zero Gravity
POST-APOCALYPTIC ENTITY part VIII
@ nu things
2012 3- 23, 24 ( fri, sat ) 19:00-23:00 1000yen(no drink)
bricoleur:AGI Yuzuru ( 阿木 譲 )
Visual Image Operator - Paravora

ロバート・ヘンケだけではなくデムダイクなどの尖端音楽には常に超自然と神聖な世界が描かれている。発売されたばかりのモノレイク ( Monolake ) のGhostsから聴こえるインダストリアル・グリッチのスペクトル ( 変動するものの残像 ) は、T++グルーヴの尖端のシャーマニックダンスとも言える1曲目のGhostsから始まる、そして2曲目のTokuには、軋るドアや、幽霊が夜の闇に紛れて吹く口笛や回転するコインの音が、我々のいまの不安定な精神、神経過敏を表現するかのように抽象的なカチカチ音の衝撃によって表現されている。グリッチとサウンドの細いかけら、力強い金属のリズム、低音域の脅威は、不気味な超自然的な場所へ我々を誘う。インバランス=不均衡，不安定，アンバランスな世界の裂け目と、ゴーストとウィッチの徘徊する2012年アポカリプティック時代のサウンドスケープからは誰も逃れることはできない。3.11以後、以前にも増して音楽の聴き方と、レコードやCD購買の際の選び方やチョイスの視点が異なって来た。というか選んでいるのはインダストリアルダブやダークアンビエント、ミニマルダブ、フィールドレコーディング系のものばかりで、もういまはダンスという記号をクラブフロアから切り離してもいいんじゃないかとまで思い始めている。2年前から展開しているボク個人のDJイングPost-Apocalyptic Entityは、踊らせるというより発売されたばかりのCDやレコードをエディットしブリコラージュすることによって、まずこの我々の生きる時代の空気感を創りだすことを心がけてきた。驚くことに先日のスヴレカ ( Svreca ) のDJイングも正にボクがこの2年前からやってきたこの方法だった。これこそ芸術的経験を加速させる現在のクラブという場で，音楽と、そして3.11以後の、ひととひととのコミュニケーションが最も機能する方法だと我々は気づき始めたのだ。

MONOLAKE / GHOSTS ( ML 026 )
1. Ghosts
2. Taku
3. Afterglow
4. Hitting The Surface
5. Discontinuity
6. The Existence Of Time
7. Phenomenon
8. Unstable Matter
9. Lilith
10. Aligning The Daemon
11. Foreign Objec
composed and created by Robert Henke
issued as a four-panel digipak.
CD contain a CD-Text. First trackname is displayed as "|:", while all other tracks have exact names.
© Imbalance Computer Music 2012
made in Germany
MONOLAKE / IMBALANCE COMPUTER MUSIC 2012

Real Name: Robert Henke
Profile:Works for Ableton as a Software Technology Developer.
Mastering and cutting engineer at Dubplates & Mastering (Berlin, Germany).
Sites: http://www.ableton.com/
http://www.monolake.de/
http://www.myspace.com/roberthenke
http://www.dubplates-mastering.com/
Aliases: Helical Scan, Monolake
In Groups: Narod Niki

The Monolake Ghosts In Surround Tour

The Existence of Time from Tarik Barri on Vimeo.

Monolake - Discontinuity

Monolake - Unstable Matter
http://youtu.be/Ph7qeDnV_0c

Monolake - Ghosts
http://youtu.be/9HZJgFJkmO4

http://www.monolake.de/releases/ml-026.html

GESELLSCHAFT ZUR EMANZIPATION DES SAMPLES / MORE CIRCULATIONS ( faitiche 07 )
A1. Irrelevant Sound Effect
A2. Besuch Aus Der Unterwelt
B1. Es Vermitteln: Lautsprecher
B2. Moderne Musik 1965-1985
mastered by Kassian Troyer
design by Jens Reitemeyer
made in Germany
FAITICHE 2012

Gesellschaft Zur Emanzipation Des Samples
Real Name: Jan Jelinek
Faitiche
Profile: German label run by Jan Jelinek.
Contact Info: Christburger Str. 25 10405 Berlin Germany
info @ faitiche.de
http://www.faitiche.de/

Ursula Bogner live performance by Andrew Pekler & Jan Jelinek

**HartwigAlbers - 2011/11/08
Andrew Pekler & Jan Jelinek play "Sonne = Blackbox" (Voice and Tape Music by Ursula Bogner), 26th October 2011 at Künstlerhaus Frise, Hamburg.
The performers were improvising to Ursula Bogner's recordings, which have been reconstructed on tape loops.

Gesellschaft Zur Emanzipation Des Samples - Linernotes
http://youtu.be/-OePC6cRGuQ

2009年にGesellschaft Zur Emanzipation Des Samples – Circulations ( faitiche 02 ) をリリースしていたジャン・イェリネク ( Jan Jelinek ) のフィールドレコーディング、テープ・ミュージック/ミュージック・コンクレートユニットG.E.S.の7インチでの2枚目。GESとはサンプリングの解放協会を意味するらしいが、このオーディオ・コラージュに対する考えは、遊園地メリーゴーラウンドのPAによってなされた流行歌の任意の録音から出現し、ブルース・スプリングスティーンに競争するバンパーカー、マービン・ゲイに頼るメリーゴーラウンド、また、映画あるいは音声の装置のサイン・ジェネレーターでのプロジェクターサウンド、公共の空間のランダム・ノイズなどのすべて公共の空間の録音だという。

COPPICE HALIFAX / DUSK VERSIONS ( RP2 )
1. Dusk 3
2. Dusk [Night Window]
3. Dusk 3A
4. Dusk 3B
5. Dusk 3 [Rebuild]
6. Dusk [Departure]
written and produced by Brian Grainger
mastered by The Analog Botanist
photography by Brian Grainger
*limited edition of 119 copies. Recorded at 114RKD, 2009-2010
made in US
RECYCLED PLASTICS 2011

Real Name: Brian Grainger
Profile: Coppice Halifax is a Milieu side-project dedicated to Brian's interests in producing textural and melodic ambient techno. Releases under this moniker tend to be extremely limited affairs and usually feature unique packaging.
http://halifax.milieu-music.com/
http://www.myspace.com/coppicehalifax

Bio:
Coppice Halifax is a side project of Milieu...focusing more on textural noises, field recordings, house beats and the use of acoustic instruments. Music for seashores and crunchy, wet forest foliage. Alternatively, this project has also given way to more traditional ambient techno, electro and dub music

Coppice Halifax - Dusk (Overgrowth)

Coppice Halifax - UT4 [Y²]

*Label: Entropy
Artist: Coppice Halifax
Release: 2011
Country: France
Real Name: Brian Grainger
Coppice Halifax is a Milieu side-project dedicated to Brian's interests in producing textural and melodic ambient techno. Releases under this moniker tend to be extremely limited affairs and usually feature unique packaging.
http://entropy-records.com
http://www.myspace.com/coppicehalifax
http://www.discogs.com/artist/Coppice+Halifax
http://coppicehalifax.bandcamp.com

Milieuでも多くの作品をリリースしていたサウスキャロライナのBrian GraingerによるCoppice Halifax。Milieu MusicのサブレーベルRecycled Plasticsから2011年の年末にリリースされたフルアルバム。2011年春にベルギーのOther HeightsからリリースされたAxsとのスプリット・アルバム『Outward Residence』の制作時に一緒に録音されていた簡易パッケージで、限定119枚でのリリース。

BVDUB / SONGS FOR A FRIEND I LEFT BEHIND ( DN 014 )
1. If I Could Do It All Again
2. I Would Have Waited
3. Instead I Left You
4. Without A Chance To Say
5. A Final Goodbye
written and produced by Brock Van Way
*written and produced in 2008.
"Dedicated to P, A Friend I Left Behind"
packaged in digipak case. No barcode.
made in UK
DISTANT NOISE RECORDS 2011

Bvdub
Real Name: Brock Van Wey
http://www.bvdub.org/
http://www.myspace.com/bvdubtechnology

Bvdub - I Would Have Waited

Bvdub - Tried So Hard
http://youtu.be/c6wShlJe0xs

Bvdudの柔らかいドローン、波動、振動、パルスは空気のように我々を包み込む。スリーピータイム・ミュージック、チルアウト。ECHOSPACE、DARLA、STYRAXなどから多くの作品をリリースしているBvdubの、2011年Home Normalからのアルバムに続いてUKのDistant Noiseから発表したアルバム。アンビエントダブも最近は多彩で、新たな領域に侵入し始めたようだ。

PORTER RICKS / BIOKINETICS ( TYPE100V )
A1. Port Gentil
A2. Nautical Dub
B1. Biokinetics 1
B2. Biokinetics 2
C1. Port Of Call
C2. Port Of Nuba
D1. Nautical Nuba
D2. Nautical Zone
written and produced by Andy Mellwig, Thomas Koner
photography by Type
lacquer cut at Dubplates & Mastering
*originally released on Chain Reaction in 1996.
© & ℗ Type Recordings LLC 2011
made in US
TYPE 2012

Porter Ricks
members; Andy Mellwig, Thomas Koner
Profile: Sound project and live performance by German producers Thomas Köner & Andy Mellwig.
The name Porter Ricks is based on character from the TV series "Flipper".
"The nautical view evokes a clear vision, something freeing. The club as a diving platform, and techno as a nautical sound experience, a project that lies between clubs and art."
http://www.koener.de/porterricks.htm

Porter Ricks - Port Gentil

Porter Ricks - Nautical Zone
http://youtu.be/KoLkZD6AHLE

96年にBASIC CHANNEL傘下のChain Reactionからステッカーの貼られた錫ケースで発売されたポーターリックスの伝説のデヴューアルバムの再発。ダークアンビエントのパイオニア、トマスコーナーと音響技師Andy Mellwigのディレイ・シンセとリヴァーヴのかけられたアンビエントダブは、Moritz Von Oswaldのベーシックチャンネル以降の文脈に位置する音楽で、ベルリンの Dubplates & Masteringで、ねじ曲げ拡張されたテクノミニマリズムの現在進行形のもの。芸術的経験を加速させる現在のクラブという場で，最も機能する音楽である。こうした音楽を聴いてるクラウドには、いまさらクラブに於けるディスコ風営法を議論することすら古い。

PHIDIAS / LATINA EP ( FAUXPAS 007 )
A1. Latina
A2. Suspirato
B. Melanocorypha
written and produced by Phidias
mastered by K SST
design by hinterhoflink.net
made in Germany
*limited Edition clear vinyl and with transparent silk screen Print
FAUXPAS MUSIK 2011

Phidias - Melanocorypha [FAUXPAS007]

2009年ハンブルグに起源を持つFauxpas Musicから８番目にリリースされたEP。Hinterhoflinksによるシルクスクリーンのアートプリントとクリアヴァイナルが美しい。海外ではポストダブステップとスローモーション・テクノの中間に位置するpost burialismoとして解釈されている。

CHRIS WATSON / EL TREN FANTASMA ( T.O.42 )
1. La Anunciante
2. Los Mochis
3. Sierra Tarahumara
4. El Devisadero
5. Crucero La Joya
6. Chihuahua
7. Aguascalientes
8. Mexico D.F.
9. El Tajin
10. Veracruz
recorded on location across Mexico.
inspired by Pierre Schaeffer.
images courtesy Caminos de Hierro / FNM.
Cartography – “El Magnifico”.
℗ & © 2011.
station announcer, voice actor by Ana Gonzalez Bello
mastered by Denis Blackham
mastered at Skye Mastering
art direction by Jon Wozencroft
photography by Caminos de Hierro
made in UK
TOUCH 2011

Chris Watson
Real Name: Christopher Richard Watson
Profile: Christopher Richard "Chris" Watson is a Sheffield-born British musician and sound recordist specialising in natural history.
A former & founding member of Cabaret Voltaire and The Hafler Trio, Watson has worked on numerous TV and radio documentaries for BBC, as well as other projects. In addition, he has also released a number of solo and collaborative records, generally on the Touch label, which are derived from his location recordings.
http://www.chriswatson.net/
http://www.whisperingintheleaves.org/

http://www.touchmusic.org.uk/news/to42to42v_chris_watson_el_tren.html

Chris Watson - El Devisadero

*El Devisadero (The Telegraph) by Chris Watson.
From the 12" EP "El Tren Fantasma (The Signal Man's Mix)".
Buy both this EP and the CD "El Tren Fantasma" at https://touchshop.org//
product_info.php?products_id=493

El tren fantasma. (1927)

***CINEFERROCARRIL- 2011/05/06
"El tren fantasma" es una película de aventuras y acción rodada con brío por Gabriel García Moreno, pionero del cine mexicano, realizador, guionista y cameraman, que fue además fundador de los estudios Azteca.
A la manera de "El maquinista de la General" de Buster Keaton, "El tren fantasma" cuenta la historia de un joven ingeniero perseguido por una banda de delincuentes que han secuestrado a la bella Elena, hija del jefe de la estación. Esta joya del patrimonio cinematográfico mexicano acaba de ser restaurada por la Filmoteca de la Universidad Autónoma de México.
(http://www.filmoteca.unam.mx/cinema/menu.html)
Rodada el mismo año que la citada película de Buster Keaton, "El tren fantasma" es representativa de esa época en que la industria del cine mexicano intentaba afirmarse frente a la competencia de Hollywood. Un momento crucial el final de los años veinte, justo antes del paso del cine mudo al sonoro que fue una enorme revolución para la naciente industria del cine. Recordemos que es en 1927 cuando aparece en los Estados Unidos ya la primera película sonora "El cantante de jazz" con el actor Al Jonson.
México fue el primer país americano que proyectó una película de cine en 1896, ya que la entrada del cinematógrafo a los Estados Unidos había sido bloqueada y retrasada por Edison. Sin embargo Hollywood recuperó el tiempo perdido y a partir de 1912, roto el bloqueo, comenzó a imponer su producción.
El paso del mudo al sonoro, fue también decisivo y México acumuló retraso, mientras que sus actores y directores se formaban en Hollywood. La primera película sonora mexicana será "Santa" de Antonio Moreno en 1931. Toda una época que preparó el desarrollo posterior de la industria del cine y la denomina edad de oro del cine mexicano que va de 1936 a 1957.
Por Julio Feo (rfi español)

ロスモチスからベラクルスへゴースト列車に乗り、山野を横断して旅行する、惰走するために惰走する、大西洋から太平洋。レールのリズム、歴史への旅行音楽に乗ってください ( クリス・ワトソン) 。Cabaret Voltaire、Hafler Trioから現在はサウンド・レコーディストとしての顔を持つChris Watsonが、英BBCのテレビ番組Great Railway Journeys制作の合間に、メキシコのLos MochisからVeracruzに1ヶ月以上に渡って録音したフィールドレコーディング音源を使って編集したもの。マスタリングはFaraway PressやSiren Recordsの作品で活動するDenis Blackhamが担当している。

TOBIAS HORNBERGER / UNKNOWN+STRANDS ( TELRAE 008 )
A. Unknown
B. Strands
*comes in a special handmade sleeve with label sticker. Limited to 200 copies
made in Germany
TELRAE 2011

Telrae
Profile: Dub Techno label from Cologne (Germany) founded in 2010.
Parent Label: Traum Schallplatten
Contact Info: Jacqueline Reinhold Helmholtzstrasse 59 50825 Cologne Germany
Fon: +49 (0)221 71 641 56 Fax: +49 (0)221 71 641 57
Email: jacqueline[at]traumschallplatten.de
http://www.telrae.com/

Tobias Hornberger - Unknown(Original mix)

Tobias Hornberger - Strands (Original Mix)
http://youtu.be/eu58wrGYIVE

False Mirror, DNS, Grasという名義で活動しているTobias HornbergerのドイツTelraeからの200枚限定10インチ。ディープフローティングダブテクノ、ダークアンビエント。

**

3/3から3/9日まで『Acousmonium 』と題し、19ch/21スピーカーのアクースモニウムシステムをセットして展開した新nu thingsでのイヴェントは、とても未知で貴重な体験をさせてもらった。スピーカーコンダクター大塚君の存在がなければ (色々制約の多い空間を見事マニュピレートしてくれて、ありがとう ) ，この企画はかなわなかったわけだが、この体験によりクラブ空間やライヴ空間における規格サイズの従来のサウンドシステムを根本から見直し、新店舗ではもっと違ったアプローチでサウンドのありかたを考え直したい思いにかられた。考えれば去年の暮れからこのイヴェントが終わる3/9まで、休む暇なく動き続け，最終日が終わった一昨日にはドット疲れがでて、起きるのもままならなかった。新店舗は、ギャラリーとして機能するフリースペース、空間をイメージして内装したのだが、美術関係者からも、大阪にはこの広さのギャラリーはなく、色々使い勝手がよさそうだとお褒めの言葉も頂いたので、5月頃からは本格的に音楽とアートというコンセプトを前面に打ち出して展開していきたいと考えています。

Experience Zero Gravity
POST-APOCALYPTIC ENTITY part VIII
@ nu things
2012 3- 23, 24 ( fri, sat ) 19:00-23:00 1000yen
bricoleur:AGI Yuzuru ( 阿木 譲 )
Visual Image Operator - Paravora

ひとが鳥のように自由に大空を舞い飛ぶことができたなら、重力に呪縛されない我々の世界観は、きっと遠い宇宙の果てまでも大きく広がっていただろう。音楽だってブルースに変わる新しいヒューマニズムの歌が数多く唄われていただろうと思う。人類が重力に抵抗して立ちあがり直立二足歩行をしたときからの、この常に存在にかかっている1Gの重力から解放されたなら多くの病からも無縁だっただろうし、3.11の地震や津波からもひとの命を救えたかもしれない。我々、飛べない鳥は、せめて想像のなかでゲーテの「ファウスト」に登場する誘惑の悪魔メフィストフェレスに空中浮遊させる魔術をかけこの大宇宙/世界を俯瞰させることことしかできなかった。1780年代のフランスのモンゴルフィエ兄弟の熱気球から現在まで、ひとは重力に抵抗し天に憧れ続けてきた。空を飛ぶということは、肉体とともに精神も高揚するからだ。飛行機の窓から下界を見下ろすと、その曼荼羅のなかで時には自分が神になったような錯覚を覚えると同時に、確実に世界観も変容する。それに重力から解放されると、身体が必要とする酸素量は激減し心拍機能も沈静化され深い瞑想状態に導引されるとも言うしね。ミニマルダブを延々と聴き続けている自由落下の軌道のうえで、なぜか脳波の低下でシータ波状態になり重力から解放され緊張が取り除かれ深いリラックス状態をもたらすような気がする。それはまるで母の子宮の羊水の中で浮いていた始源の記憶を呼び戻すかのように。どこまでも落ちて行く下降と飛翔の、ミニマルダブとダークアンビエントの無重力グルーヴ ( Zero Gravity ) のなかで。

Entropy Records
Profile: Label founded by producer French DJ & producer David Ya.
About the label: The entropy is defined as the amount of information needed to exactly specify the state of the system. This is because entropy represents the "potential for disorder" in a system...
Entropy Records is a small independent label.
Artists & partners involved in label releases are music passionated people aware of the fragile music market reality... Beyond this consideration, the Art does not stop until our artists will share thoughts through the music.
Music styles are mainly electronic (ambient, downtempo, dub techno, modern classical...) and releases are versatiles until they sound good! Feel free to contact us.
Each release packaging is prepare with love to let glow the music inside.
All releases are limited and hand numbered.

http://www.entropy-records.com/
http://soundcloud.com/entropy-records

MR. CLOUDY / MUSIC FROM CELLARS ( E.L.011 )
1. Cellars
2. Corridor To The Chess Master
3. Excursion
4. Kogda Est
5. Kogda Net
6. Long Wandering
7. Moved To Space
8. Therefrom
9. Vague Times
10. August Trip
composed and produced by Sergey Barkalov
mastered by David Ya
package concept and design by David Ya
phonographic Copyright (p) – Entropy Records
copyright (c) – Entropy Records
**Limited edition to 100 copies.
Packaging: Metal Tin Box.
Tracks 2, 4 and 5 are previously released on Kogda Net / Kogda Est
Tracks 3 and 8 are previously released on Sensitive Crop
Track 6 is previously released on Long Wandering
Track 7 is previously released on Moved To Space
Track 9 is previously released on Mr. Cloudy
Track 10 appears to be previously released as “Deep Dampness” on Rustle Of Morning Stars
made in France
ENTROPY RECORDS 2011

Mr. Cloudy
Real Name: Sergey Barkalov
http://www.myspace.com/mrcloudykyd10
http://www.facebook.com/mrcloudy.dub

Mr.Cloudy - Cellars

Mr. Cloudy - Therefrom

Mr. Cloudy - kogda net
http://youtu.be/2giO13yJzyE

GRADIENT / ILLUMINATED ( E.L.010 )
1. Illuminated (Original Variant)
2. Illuminated (Deserted Streets Variant)
3. Illuminated (Mechanic Variant)
4. Illuminated (October Rain Variant)
5. Illuminated (Hypnotic Flow Variant)
6. Illuminated (Rubber Rhythm Variant)
composed and produced by Igor Arsenjev
mastered by David Ya
design by David Ya
phonographic Copyright, copyright (c) – Entropy Records
limited edition to 100 copies.
packaging: Metal Tin Box
made in France
ENTROPY RECORDS 2011

Real Name: Igor Arsenjev
http://www.myspace.com/wavetunes
http://www.discogs.com/artist/Igor+Arsenjev

Gradient dub techno

MR. CLOUDY / GREY ( E.L.009 )
1. Grey
2. Grey (Grad_U Reduction)
3. Grey (Quantec's Reshape)
4. Grey (Organon Remix)
5. Grey (Xoki / Hieronymus Version)
6. Grey (Octex Remix)
7. Grey (Outring Remix)
8. Grey (Octal Industries Reconstruction)
9. Grey (Sraunus Cearly Version)
composed and produced by Sergey Barkalov
mastered by David Ya, Sergey Kosov
design by David Ya
"Produced by Sergey Barkalov and friends"
limited edition to 100 copies.
Packaging: Metal Tin Box.
Remark: Track #8 duration on the back cover is printed 5:33 but real track duration is 5:23
Phonographic Copyright ( p ), Copyright (c) – Entropy Records (2)
made in France
ENTROPY RECORDS 2011

Mr. Cloudy
Real Name: Sergey Barkalov
http://www.myspace.com/mrcloudykyd10
http://www.facebook.com/mrcloudy.dub

Mr. Cloudy - Grey (Organon Remix)

Mr. Cloudy - Grey (Sraunus Cearly Version)
http://youtu.be/EG4CxgLLZYs

Mr. Cloudy - Grey (Quantec´s Reshape)

G.R.I.T. / EXPANSE ( E.L.006 )
1. Endless Waves
2. Mind Mapping
3. Marianas Trench
4. Expanse
5. The Furthest Outpost
6. Neon Aura
7. The View From The Trieste
Bonus Tracks
8. Expanse (G.R.I.T. 2011 Rehydration)
9. Hope (Dub Edit - Long Version)
written and produced by G. Brackley
mastered by David Ya
artwork by David Ya
**all tracks recorded in the drone
tunnel.
re-issue, re-mastered, including 2 additional tracks.
limited to 100 numbered copies.
packaging: Deluxe tin box with softer plastic inner casing to house the CD. Pro-audio-CDr "Silver Vinyl" design. CD is protected in a plastic Sleeve for transportation. Full colour glossy sticker with info on the back side.
track #9 was previously released on Wired Thoughts but this is another full length master version
made in France
ENTROPY RECORDS 2011

Grit: G. Brackley
http://www.myspace.com/dronetunnel

Grit - Expanse

Grit - The Furthest Outpost
http://youtu.be/_Lj4zKVzXjQ

Grit - Marianas Trench [Re-Upload]
http://youtu.be/Z_QOU2mmonI

VARIOUS / WIRED THOUGHTS ( E.R.003 )
1-1. Blamstrain – Auroras, Fireflies And Kittens ( produced by Jari Pitkänen )
1-2. Mind Over MIDI – Above His Station 7:20
1-3. Dominique Jacquinet – Forest Ghost 6:28
1-4. Djorvin Clain – Fragile Care 6:43
1-5. Niklas Nummelin – Corners 5:37
1-6. Atheus – Rhythm And Chords 6:55
1-7. G.R.I.T – Hope (Dub Edit) 9:20
1-8. Area – Moire
1-9. Sustainer – Aura
1-10. Skyscaper – Skyshapes (WT Mix)
1-11. Ontayso – Frozen Lake
2-1. Gradient – Wind Speaks With Us
2-2. Zzzzra – Couverture Pneumatique
2-3. Basicnoise – Sternenstaub
2-4. Slow Noise – The Delph
2-5. The Marx Trukker – Serum
2-6. Madutec – Dubbing
2-7. Lo – Black Cape
2-8. Octex – Whiteout
2-9. Axs – Farside
2-10. Optic_ – Unrelieved Phase
2-11. Dubatech – They Are Grey

3-1. P.Laoss – Dub Class Five
3-2. Andrea Porcu – Come Le Onde
3-3. Isecawi – I Can't Be Very Specific, But I See The Future...
3-4. Liquid Level – Mist Saizo
3-5. Killahertz – Borders ( lyrics by Nastya Mazaeva )
3-6. Sublime Porte – Observer
3-7. Gabriel Le Mar – Dubaccess ( vovals by Patrizia )
3-8. Mr. Bizz – Colour Green
3-9. Toni Latenz – Silky Chaos
3-10. Grad_U – Untitled
3-11. Martin Schulte – Above The Clouds
compiled by David Ya, Lo
mastered by Anders Peterson
mastered at GS Mastering & Post
artwork by Amandine Warmé, David Ya
photography by Alexandre Mazel
limited edition to 500 copies.
first 100 come as a special collector edition
Copyright (c) , Phonographic Copyright (p) – Entropy Records
made in France
ENTROPY RECORDS 2010

Octex - Whiteout

Lo - Black Cape
http://youtu.be/3YKy65o57Qw

Basicnoise - Sternenstaub
http://youtu.be/4pMCaUB5X34

Slow Noise - The Delph
http://youtu.be/--XquDNUmwg

*****

REVERSED CONSCIOUSNESS / CHANGES OF CONSCIOUSNESS CAUSED BY THE TIME CONDITIONS ( E.R.007 )
1.1. Red Sunrise
1.2. Spring Singing Of Hedgehogs
1.3. Fractals Of High-Voltage Lines
1.4. Aerostatics Pt-3 (Going Out To Emptiness)
1.5. Change Of Consciousness
1.6. Intervention
1.7. Time Fallen Asleep
2.1. Inner World Around
2.2. Dizziness
2.3. Echoes Of Falling Elements
2.4. Escaping Time
2.5. Disappearing From The Outside
2.6. Stopped Time
2.7. Sunflower
DVD Bonus: Reversed Consciousness | Disappearing From The Outside
01. Title
02. Preceding The Imaginary (Pt-2)
03. Aerostatics (Pt-3)
04. Escaping Time
05. Disappearing From The Outside
06. Spring
07. U-41
08. Transformator
09. Insects
10. Stopped Time
11. Sunflower
12. Endings

produced by Dmitriy Rodionov
mastered by Dmitriy Rodionov
artwork and design concept by David Ya
**limited edition to 100 copies.
gatefold A5 digifile varnish cardboard. Each cover is an individual galaxy-painting of fluorescent dots which react to black light.
1xPro-CDr "Silver on Gold chrome spray".
1xPro-CDr "Gold on Silver chrome spray".
1xPro-DVDr in a colour sleeve (green, red, yellow or blue).
all contained within a HQ plastic sleeve.
discs are guaranteed for 100-300 years!
CD Credits: all tracks written, recorded, mastered by Dmitriy Rodionov in r/c-studio.
Package painted and designed by David Ya.
DVD Credits: Reversed Consciousness | Disappearing From The Outside
all Musical Instruments: Dmitriy Rodionov.
~
visual: Dmitriy Rodionov, Gregory Lebedeff.
actors: Dmitry Petrov, Dmitry Zabolotnikov, Dmitriy Rodionov.
operator: Gregory Lebedeff.
editor: Egor Kolenichenko.
DVD Authoring, design: David Ya, Neil Tibbetts.
~
live video recorded 30-04-2009 in Snezhinsk, Russia.
special thanks: David Ya, Elena Naumenko, Oleg Lutsyuk, Gregory Lebedeff, Egor Kolenichenko, Dmitriy Zabolotnikov, Alexey Ustyantsev, Sergey Rikovanov, Dimitry Lavrentiev, Sergey Gorbachev. Many thanks to my mom and dad, my daughter Alice Rodionova and my whole family for their support.
remark: there is an error on the gatefold print, name "Egor Kalenichenko" should be "Egor Kolenichenko"
made in France
ENTROPY RECORDS 2012

Aliases: Dmitriy Rodionov, Dmitriy Rodionov Experience

REVERSED CONSCIOUSNESS "Red Sunrise".mpg

HUTCH DEMOUILPIED / OTHERNESS ( E.R.006 )
Otherness
1-1. Le Voyage
1-2. Serenity
1-3. Herzog
1-4. Somniac
1-5. Deep Labyrinth
1-6. Siri
1-7. Beyondathon
1-8. Tenderlight
1-9. La Chambre
1-10. Dolphinium
1-11. Blue Nebular
1-12. Otherworldly
1-13. Kahi Loa
Otherness - The Remixes
2-1. Herzog (Mikronesia Remix)
2-2. Herzog (Ben Fleury-Steiner)
2-3. Otherworldly (William Fields Remix)
2-4. Le Voyage (Making The Noise Remix)
2-5. Le Voyage (Ben Fleury-Steiner Remix)
2-6. Otherworldly (Radere Remix)
2-7. Siri (Inner Signal Remix)
2-8. Beyondathon (David Ya Remix)
2-9. Somniac (18ème Boudoir Remix)

produced by Hutch Demouilpied
composed by Hutch Demouilpied
mastered by David Ya (tracks: 2-7 to 2-9), Mark Greenwood (tracks: 1-1 to 1-13), William Fields (tracks: 2-1 to 2-6)
Photography By – David Ya, Niko (11)
Artwork By – David Ya
*
bass guitar – Wayne Nunes
bassoon – Sonia Paco-Rocchia
clarinet – Chris White
guitar – Mark Greenwood
soprano saxophone – Chris White
tenor saxophone – Pee Wee Ellis
trumpet – Hutch Demouilpied
**Collector Limited Edition to 100 copies.
Gatefold A5 digifile cardboard.
HQ plastic sleeve.
Pro-CDr (100-300 years guaranteed)!
made in France
ENTROPY RECORDS 2011

http://www.entropy-records.com/release006.htm

**********

cv313 / INFINIT-1 ( echospace-detroit 010 )
A1. Infinit-1 (Original)
A2. Infinit-1 (Remodel)
B. Infinit-1 (STL Remix)
written and produced by cv313
*track durations are not mentioned on the release.
pressed on 160 gram clear vinyl, packaged either in a gatefold 8ML Mylar sleeve, or a simple plastic sleeve.
limited to 300 copies
made in US
ECHOSPACE 2010

cv313
Aliases: Echospace
Members: Rod Modell, Stephen Hitchell

cv313 - Infinit-1 (STL remix)

cv313 - Infinit-1 (Remodel)
http://youtu.be/eKOESGDNF78

cv313 - Infinit-1 (Original)
http://youtu.be/eZzETjQVZgU

cv313 / STANDINGSTILL ( echospace -detroit 013 )
A. Standingstill (Original)
B. Standingstill (Reduced)
mastered by PCMJR
mixed by Echospace
*160 Gram crystal clear vinyl packaged in 8ML archival grade poly sleeve.
no durations appea
made in US
ECHOSPACE-DETROIT 2011

cv313 - Standingstill (Original )

VARIOUS / ALTERING ILLUSIONS ( echospace-detroit 313LP -1 )
A1. Deepchord – 01-06 (cv313 Rework I)
A2. Deepchord – 01-06 (cv313 Rework II)
B1. Deepchord – Electromagnetic Dowsing (cv313 Live Rewire)
B2. Variant – A Silent Storm (cv313 Reprise)
C1. cv313 – Infinit-1 (Intrusion's Lost
Dub)
C2. cv313 – Altering Illusion
D1. cv313 – Above Clouds
D2. cv313 – Hypnosphere
E. Echospace – Spatialdimension (Intrusion Dub)
F. Echospace – Spatialdimension (Intrusions Narcotic Intake)
G. Variant – As Time Stood Still
H1. Variant – MagneticPulsation
H2. Variant – Enchanted
written + produced by Steven Hitchell + Rod Model
mixed down from reel to reel tape in echospace
a chicago / detroit connection
mastered by Mark Richardson at PCM
info; www.echospacedetroit.com
www.facebook.com/echospace
twitter. com/echospace313
made in US
ECHOSPACE - DETROIT 2012

echospace [detroit]
Profile: Label based in Midwest US (Chicago/Detroit).
Distributed worldwide by Rubadub, Glasgow.
Sublabels: Intrusion, Vivace
Contact Info:
info(at)rubadub(dot)co(dot)uk
+44 (0) 141 882 9900
http://www.echospacedetroit.com/
http://www.myspace.com/echospacedetroit
http://www.facebook.com/echospace
http://twitter.com/#!/echospace313

Variant - A Silent Storm (cv313 Reprise)

cv313 - Hypnosphere
http://youtu.be/xvjviJRn7bI

INWARD CONTENT / INWARD CONTENT ( mean 021 )
A1. Halogen
B1. Austere
B2. Quantum Mechanics
C1. Continuum Mechanics
C2. Gravitational Collapse
D1. Dust
all tracks by Niels Luinenberg + Samuel van Djik
mastered by Rashad at d&m Berlin
artwork by Samuel van Dijk
distributed by Baked Goods
made in UK
MEANWHILE 2011

Inward Content
Members: Delta Funktionen ( Niels Luinenburg ), Mohlao ( amuel van Dijk ), Multicast Dynamics ( Samuel van Dijk )

Inward Content - Continuum Mechanics

Inward Content - Austere
http://youtu.be/mke1XnsOeAw

MIKE DEHNERT / BRESO EP ( Echocord Colour 017 )
A. RGS2
B1. BAR2
B2. RGS (Roman Lindau Remix)
written and produced by Mike Dehnert
made in Denmark
ECHOCORD COLOUR 2011

Mike Dehnert
Real Name: Mike Dehnert
Profile: DJ and producer from Germany. He is the founder of Fachwerk.
http://soundcloud.com/mike-dehnert
http://www.myspace.com/mikedehnert
Aliases: Mumu Boy, Panico & DJ Larsics

Echocord Colour
Parent Label: Echocord
Contact Info: Echocord Records
C/O Kenneth Christiansen
Kronprinsessegade 54 a st.
DK-1306 Copenhagen K
Denmark
mail: info@echocord.com
phone: +45 2818 2216
http://www.echocord.com/
http://www.myspace.com/echocordcolour

Mike Dehnert - Rgs2 (Roman Lindau remix)

**********

ボクの周囲ではこうした尖端で起こっている音楽情報を必死で収集し、敏感に反応しているのは、最近ではDJというよりも20代の若いラップトップ系のミュージシャンたちが圧倒的に多い ( すぐに尖端記号を真似して自身の音楽に反映させるために。だけどCDやレコードを購入したり、有料のMP3/Flagなどのダウンロードしているかといえばそうではない。 ) 。モダンラヴのアンディ・ストットやエコスペース/cv313のロッド・モデル、セマンチカのスブレカなどの海外での先駆的な音楽を開拓しているアーティストやマイナーレコードのオーナー、ミュージシャンの多くがレコードコレクターであるという事実。100枚から300枚程度のコピーしかされない稀少な最新の音楽を、音楽ファン以前にコレクターが独占して聴いてるという事実。それはいったいなにを意味しているのだろうか。先日スブレカと話していたときにも、今後彼は可能な限りレコードのコピー枚数を少なくすると言っていた。今回はこれも100枚程度のコピーしかされていないフランスのエントロピーレコードでのミニマルダブ、ダブテクノ、ダークアンビエントを主に掲載しているが、おいしい音楽はもうこうした音楽ファン不在の、スノッブなバックグラウンドからしか生まれ得ないのだ ( それもデトロイトからベーシックチャンネルのテクノ正当派の文脈をリアルタイムにイニシエーションした者だけが享受できる ) 。
80年代後半から90年代にかけて、音楽ファン、イコール、レコードマニア/コレクターが嵩じてミュージシャンから音楽を奪い取りDJカルチャー/サンプリングカルチャー/クラブカルチャーを確立したDJという存在もこの10年の間に、その姿勢も質も低下してしまった。はたしていま、海外の尖端音楽ファンなんて存在しているのだろうか。いるとするならエレクトロニック・ミュージシャン以外に、きっとレコードコレクターとしての美術愛好家/ディレッタントやトレンド好きのファッション関係者たちに、その顔を見つけることができるのかも知れない。

Dr Anderson refused to move his car, even when it had been made clear to him that a visiting dignitary required the space. A packet of spearmint Chicklets on the dashboard began to melt with a trickling sound.
Dr Anderson, sitting beneath a spreading plane tree, began to read from a copy of Julia Kristeva's "About Chinese Women".
He learned that the only course of action a woman could reasonably take is refusal of both male and female models.
In the world of the book he began to rise higher and higher above the street. Soon the plane tree was spreading below him, and he watched with complete equanimity from a height of twenty metres as a traffic warden approached his car and began to write him a ticket.

Momus: In Samoa ( remodel 06 )
cd - samoa samoa
dvd - the conductor
All music, words and samples by Momus.
The Sea Roars in the Room is a found poem recomposed from a radio broadcast by Judy Golding.
Thanks to Agi Yuzuru, Kazmi Kubo, Peter Blasser, Hisae Mizutani and David Woodard. Recorded at Cornerhouse Studio, Osaka
art design by Shin Akiyama

remodel 2012

It was as a direct consequence of her poor diet that Helen began to sleep fewer and fewer hours per night. Frequently she would waken in the middle of the night with an appalling itching in her ankles. Reaching for the tube of medicated foot cream her mother had given her, Helen applied the healing balm not just to the afflicted area but higher, to her calves, the back of the knee, the thighs, the ham-strings, the inner thighs, and finally to the tureen of chicken soup itself. The ladle swished, the portions were generous, everybody in the family was served.
It was the first time that Lionel had ever heard the terrifying electronic rhythms of Senegal.
And oh, go, you find it easy to go, do you care, shall you go where the red rose goes, for you Tashkent roses are always there, waiting patiently for you, go, finally heroes, oh and again.

The mistaken hyacinths of a butterfly. The mistaken butterfly of a ne'er-do-well. The vinegar is in love with the sea. Walrus, wherefore art thou? Tomomi, deep in the locker under the… Breasts floating like a boat. Hair all stood on end. A chamber-pot emptied upon a lord mayor. Loud noises in the night. Dancing upon the keys of a typewriter. Stuffing their throats with a marshmallow. The juddering machine-gun of language. A rich man's camel cruise. Hyacinths gathered poisonous as foxgloves. Wearing the mark of the clan like a bend sinister. The bony reptiles in the cave. Burning-cheeked shame. Sweeter than Clive. He took the province with no fluster. It was all reported in the Hindu Times. A ring a ring a roses.

I spoke again this morning with Dr Anderson. He was wearing a handkerchief across his mouth. The damned infection, he said. I asked him about his maid Milly. If she'd given him any more information. He denied it. Milly meanwhile was herself hovering in the background, rattling plates, brushing the crumbs off the tablecloth. It was as though she had something to tell us. Mr Anderson, may I question Milly? I'd rather you didn't, he said. Later as I was leaving I slipped Milly a note. Meet me at the small copse at 2pm, it said. Milly was there at 2 on the dot. Tell me what you know in this affair, I asked her. Milly looked hesitant, her command of the English language was not perfect. Dr Anderson has a small stash of mushrooms, she said eventually. He keeps it in his modelling room, inside the miniature station building. The great train set? I asked. Yes, said Milly. The mushrooms have been shunted there on tiny trains and stocked like an enormous product. Pull them out and you will find that they are illicit. Do you mean, Milly, that these mushrooms procure psychotropic effects? I asked. Milly shook her head. I don't know, sir. I know nothing about such things. Only that he keeps them in the miniature station building.

To simplify the problem of co-ordinating the optical and aural sensations in time, we have deliberately sacrificed the artistic qualities of visual form and space by adopting only the simplest geometrical shapes.

Fanny I feel like a new man. But never belong. If only you can survive, cries the saucy voice within the Scot. And semper vigilante, et cetera et cetera et cetera. Lightning forks lazily behind the trees. The crows caw. Far from the Stirlingshire of his youth, far from the huntsmen with their guns. But never belong. Semantics! But never belong. Infinite sadness. The death bed of a writer. An exile far from home. Far from meaning. Semantics! Nothing to do with semantics. He lifts the counterpane. 6000 mosquitoes have bitten the flesh of his thigh and the slight resounds forever in the family. What is the significance of the umbrage? There is no significance, she said. Communists. The faithful retainer Umma followed them down the street. The German battleships were ranged in the harbour. Communists, shouted the German marines. Stevenson ignored them. Hiking to the top of the hill. Stop! Stop! Fanny I feel like a new man.

I am a guardian spirit. Never mind whose.

Go straight to hell. Down the dark stairs and into the shadowy, fearsome cellar with its terrible inhabitant. Past the coffin-like grandfather clock. A hideous old crone. Burst with a white hosanna. The sea roared in the room. A pig's head on a stick. It was always strange to him. And what is imagination? His drowned body hangs suspended in the green sea, alone and miserable. The limpets he eats with disgust. Imagine for a moment the schoolmaster, a pig's head on a stick. Talking to him. Converse with the pig's head. I have walked by stalls in the marketplace. In the dustbins. In the burning taste of a last crumb of chocolate. In the indifferent progress of an ocean wave. The benign Neanderthals believe he was lost. And their invading enemies, they are terrified of water. A forest of towering beeches. They are starving and desperate. Alone and miserable. The water they sail on, past the coffin-like grandfather clock is like the glassy clarity whitened by a million open daisies, with foundations that creep like maggots. The sea roared in the room. A pig's head on a stick. It was always strange to him. Alone and miserable. She is seized by a fit of laughter on a calm sea of brilliant grass. So the familiar is strange. If you had asked him what is real, he had no idea. As a child, frightened of the dark, lying in a bed in the desert, when he lays his hand on the bone, the leathery skin. Troubling objects! But then, all at once, there was no bone, no skin. The sea roared in the room. A pig's head on a stick. It was always strange to him. Go straight to hell.

By woodside grove and woodland rushes there's hush and crush in the brush and bushes. On left the holt, on right the meadow, "O hey!" rings and sings in sunshine and shadow.

Momus: Samoa-Scotia-Sonata

**momasu 2011/09/20
In August and September 2011 Momus worked in Osaka on a private commission from veteran Japanese music critic Agi Yuzuru to create a piece of music related to the writer Robert Louis Stevenson. The resulting piece, an interpretation of Stevenson's Samoa years conveyed by tone colour alone, is a forty-minute sonata which will appear in due course as a limited-edition CD released by Agi's nu-Things label, backed by Nakamura Yasuyuki from Studio Warp.

**remodel06としてプロデュースしたモーマスのSamoa-Scotia-Sonataは、近日中に発売予定です。やっと第一弾の情報解禁できるまでに至りました。上記のテキストはSamoa-Scotia-Sonataの添付用にモーマスに書いてもらったものだが ( おそらく今回のCD/DVD作品には、付けないでしょう ) 、最初のアルバムコンセプト、ロバート・ルイス・スティーヴンソンからサモア、そしてドクター・アンダーソンなどに分裂、拡張、横断していくモーマスのこのアルバムへのイメージ追求と痕跡、彼の知的好奇心と、美しい散文詩には驚くばかりだ。きっとモーマスにとっても過去を刷新し未来への扉を開け、新しい世界へと足を踏み入れる画期的な大作となることでしょう。乞御期待!! 今回ジャケットアートワークは全面的に秋山伸さんに御願いしました。このアルバムについての詳しいボクのライナー/解説やモーマスへのインタヴュー記事などは商品見本が出来上がり次第アップすることにします。( 阿木 譲 )

Shin AKIYAMA
http://akiyamashin.jp/